Quotes about decadent

Jean Lorrain - Monsieur De Phocas

The Marquis de V... - whose falsetto voice and little watery eyes I have always detested - was saying to me with a wicked smile: 'Then again, the master gymnast might break his neck at any moment. What he is doing now is very dangerous, my dear, and the pleasure you take in his performance is the little frisson that danger affords you. Wouldn't it be thrilling, if his sweaty hand failed to grip the bar? The velocity acquired by his rotation about the bar would break his spine quite cleanly, and

Jean Lorrain - Monsieur De Phocas

Then Chameroy spoke. 'You always put the blame on opium, but as I see it the case of Freneuse is much more complicated. Him, an invalid? No - a character from the tales of Hoffmann! Have you never taken the trouble to look at him carefully? That pallor of decay; the twitching of his bony hands, more Japanese than chrysanthemums; the arabesque profile; that vampiric emaciation - has all of that never given you cause to reflect? In spite of his supple body and his callow face Freneuse is a hundred

Jean Lorrain - Monsieur De Phocas

Look, de Mazel, you've known him for years - hasn't he been known to sleep for forty hours in two days?' 'Forty hours?' 'Certainly. He awoke at meal times, just to take nourishment, and afterwards fell again into his torpor. And Freneuse had a strange horror of sleep; there was some abnormal phenomenon associated with it, some lesion of the brain or neurotic depression.''The troublesome cerebral anaemia which results from excessive debauchery. Another myth! I've never believed, myself, in the su

M.P. Shiel - Xélucha and Others

The habit is now confirmed in me of spending the greater part of the day in sleep, while by night I wander far and wide through the city under the sedative influence of a tincture which has become necessary to my life

Jennifer Birkett -

In this image (watching sensual murder through a peephole) Lorrain embodies the criminal delight of decadent art. The watcher who records the crimes (both the artist and consumer of art) is constructed as marginal, powerless to act, and so exculpated from action, passive subject of a complex pleasure, condemning and yet enjoying suffering imposed on others, and condemning himself for his own enjoyment. In this masochistic celebration of disempowerment, the sharpest pleasure recorded is that of t

George Eliot - The Lifted Veil

I fancy my father thought me an odd child, and had little fondness for me; though he was very careful in fulfilling what he regarded as a parent's duties. But he was already past the middle of life, and I was not his only son. My mother had been his second wife, and he was five-and-forty when he married her. He was a firm, unbending, intensely orderly man, in root and stem a banker, but with a flourishing graft of the active landholder, aspiring to county influence: one of those people who are a

Asti Hustvedt - and Perversion from Fin-de-Siècle France

By living a life “against nature,” the deviant or pervert becomes a hero or heroine in decadent fiction.

Jean Lorrain - Monsieur De Phocas

The madness of the eyes is the lure of the abyss. Sirens lurk in the dark depths of the pupils as they lurk at the bottom of the sea, that I know for sure - but I have never encountered them, and I am searching still for the profound and plaintive gazes in whose depths I might be able, like Hamlet redeemed, to drown the Ophelia of my desire.

George Eliot - The Lifted Veil

I have never fully unbosomed myself to any human being; I have never been encouraged to trust much in the sympathy of my fellow men. But we have all a chance of meeting with some pity, some tenderness, some charity, when we are dead: it is the living only who cannot be forgiven - the living only from whom men's indulgence and reverence are held off, like the rain by the hard east wind. While the heart beats, bruise it - it is your only opportunity; while the eye can still turn towards you with m

Justin K. McFarlane Beau -

The knowledge we need, we are predisposed to seeking, intuitively.A fool does not know, what to do with importance, how to gauge importance, but they readily seek influence.The corrupt didn't find the expanse of life giving thought, because their self is their center; the stagnant find it hard to revolve.The wise do not subscribe to the fodder that feeds the herd, because they are not predisposed to being swept along in banal minutiae.

Kilroy J. Oldster - Dead Toad Scrolls

The inartistic methods that we use to blunt anxiety and unartful expedients that we resort to in order to escape pain and numb banality reveals what we dread most, the act of suffering from a mortal loss or the debasement that we earn by wallowing in our decadent acts of escapism.

Justin K. McFarlane Beau -

Two times twice now, I have been called arrogant, by the decadent.I'd rather be overly self confident, rather than overly self indulgent.

Hunter S. Thompson - Kingdom of Fear: Loathsome Secrets of a Star-Crossed Child in the Final Days of the American Century

We have become a Nazi monster in the eyes of the whole world—bullies and bastards who would rather kill than live peacefully. We are not just Whores for power and oil, but killer whores with hate and fear in our hearts.

Frantz Fanon -

Two centuries ago, a former European colony decided to catch up with Europe. It succeeded so well that the United States of America became a monster, in which the taints, the sickness and the inhumanity of Europe have grown to appalling dimensions

Medlar Lucan - The Decadent Cookbook

Decadent cooks go one step further and make sculptures of the food itself. If life is to be spent in pursuit of the extravagant, the extreme, the grotesque, the bizarre, then one's diet should reflect the fact. Life, meals, everything must be as artificial as possible - in fact works of art. So why not begin by eating a few statues?

Jean Lorrain - Monsieur De Phocas

The beauty of the twentieth century is the charm of the hospital, the grace of the cemetery, of consumption and emaciation. I admit that I have submitted to it all; worse, I have loved with all my heart.

Jean Lorrain - Monsieur De Phocas

8 April 1891The obscenity of nostrils and mouths; the ignominious cupidity of smiles and women encountered in the street; the shifty baseness on every side, as of hyenas and wild beasts ready to bite: tradesmen in their shops and strollers on their pavements. How long must I suffer this? I have suffered it before, as a child, when, descending by chance to the servant's quarters, I overheard in astonishment their vile gossip, tearing up my own kind with their lovely teeth.This hostility to the en

Jean Lorrain - Monsieur De Phocas

Astarte has come again, more powerful than before. She possesses me. She lies in wait for me.December 97My cruelty has also returned: the cruelty which frightens me. It lies dormant for months, for years, and then all at once awakens, bursts forth and - once the crisis is over - leaves me in mortal terror of myself.Just now in the avenue of the Bois, I whipped my dog till he bled, and for nothing - for not coming immediately when I called! The poor animal was there before me, his spine arched, c

Rachilde - Monsieur Venus: A Materialist Novel

No, no, don't let my vulnerable heart share in this sacrifice to lust! Let him disgust me before pleasing me! Let him be what others have been, an instrument that I can break before becoming the echoes of its vibration.

Jean Lorrain - Monsieur De Phocas

In the course of my life I have had pre-pubescent ballerinas; emaciated duchesses, dolorous and forever tired, melomaniac and morphine-sodden; bankers' wives with eyes hollower than those of suburban streetwalkers; music-hall chorus girls who tip creosote into their Roederer when getting drunk...I have even had the awkward androgynes, the unsexed dishes of the day of the *tables d'hote* of Montmartre. Like any vulgar follower of fashion, like any member of the herd, I have made love to bony and

Alfred de Musset - Lorenzaccio

The blood of my motherland waters a magic plant that cures all ills. That plant is art, and sometimes art needs corruption as a kind of fertilizer

Alfred de Musset - Lorenzaccio

You’re like a lighthouse shining beside the sea of humanity, motionless: all you can see is your own reflection in the water. You’re alone, so you think it’s a vast, magnificent panorama. You haven’t sounded the depths. You simply believe in the beauty of God’s creation. But I have spent all this time in the water, diving deep into the howling ocean of life, deeper than anyone. While you were admiring the surface, I saw the shipwrecks, the drowned bodies, the monsters of the deep

Virginia Alison -

We were decadent in our intimacy. Leaving no inch of skin untouched lest a moment of rapture slip through our grasp. Thrusting and plunging, in dazed euphoria, the exquisite cravings for those carnal delights ravaged our souls until shamelessly, gasping lust tainted air, we discovered insatiability...

Asti Hustvedt -

Like symbolism, decadence puts forth the idea that the function of literature is to evoke impressions and 'correspondences', rather than to realistically depict the world. ... the decadent aestheticized decay and took pleasure in perversity. In decadent literature, sickness is preferable to health, not only because sickness was regarded as more interesting, but because sickness was construed as subversive, as a threat to the very fabric of society. By embracing the marginal, the unhealthy and th

Charles Bernheimer -

For Zola, as for Huysmans, nature itself is uncanny because it is the domain of the feminine, a domain that is constitutionally defective, lacking, even pathological.

James Elroy Flecker - The Last Generation A Story of the Future

We men of this age are rotten with book-lore and with a yearning for the past.

Asti Hustvedt - and Perversion from Fin-de-Siècle France

The conventional use of words and of narrative structure is deliberately subverted in decadent fiction; language deviates from the established norms in an attempt to reproduce pathology on a textual level. With its emphasis on aberration and artifice, the decadents' approach to the language of fiction frequently leans towards the baroque and the obscure.

Janet Beizer -

It is precisely, if paradoxically, because reversal is in the service of repetition (so as to ensure, alongside its companion strategies, a dizzying proliferation of citations) that it gains a subversive power rather than remain a mere dependent (and thus conservative) form of social discourse. Reversal plays a double role in this novel (MONSIEUR VENUS), for it is not only a formal strategy bearing on citation, but itself a citation as well; one more cliché mobilized from the fin-de-siecle reser

Asti Hustvedt - and Perversion from Fin-de-Siècle France

Adornment, exoticism, affectation are all willed decadent strategies meant to pervert the texts they made. Decadent texts often live in their descriptive excursions, in their evocation of dreams, mysterious places and states of mind, in their excess of words, not events. The surface of the texts, the sound of the words, point to themselves as manufactured, as illusion. The decadents attempted to create texts that announced themselves as artifice.

Elaine White - The Other Side

With you I feel like I'm already good enough; I only have to believe it. I can't lose you again.” He needed to make the confession because he was realising that Lachlan meant as much to him nowas he always had.“I know.” Lachlan smiled at him and stopped in their walk to draw him into his arms.Konnor went willingly, clinging onto him. This was exactly how they had said goodbye. It felt like the perfect way to make a promise to always be friends again.“I love you, Konnor,” Lachlan whispered in his

Jennifer Birkett -

The decadent artist markets other people's pain

Asti Hustvedt - and Perversion from Fin-de-Siècle France

In the end, this volume should be read a s a collection of love stories, Above all, they are tales of love, not the love with which so many stories end – the love of fidelity, kindness and fertility – but the other side of love, its cruelty, sterility and duplicity. In a way, the decadents did accept Nordau's idea of the artist as monster. But in nature, the glory and panacea of romanticism, they found nothing. Theirs is an aesthetic that disavows the natural and with it the body. The truly beau

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