Quotes about on-fiction

For truth is always strange stranger than fiction.

They weren't true stories they were better than that.

Artists use lies to tell the truth. Yes, I created a lie. But because you believed it, you found something true about yourself.

All stories are true. But some of them never happened.

I love fictional characters...they can't break your heart.

The best fiction is true.

Tis strange,-but true; for truth is always strange;Stranger than fiction: if it could be told,How much would novels gain by the exchange!How differently the world would men behold!

A lie, sometimes, can be truer than the truth, which is why fiction gets written.

You should never read just for "enjoyment." Read to make yourself smarter! Less judgmental. More apt to understand your friends' insane behavior, or better yet, your own. Pick "hard books." Ones you have to concentrate on while reading. And for god's sake, don't let me ever hear you say, "I can't read fiction. I only have time for the truth." Fiction is the truth, fool! Ever hear of "literature"? That means fiction, too, stupid.

Writing fiction is the act of weaving a series of lies to arrive at a greater truth.

Fiction just makes it all more interesting. Truth is so boring.

Fiction was invented the day Jonah arrived home and told his wife that he was three days late because he had been swallowed by a whale..

Men are more interesting in books than they are in real life.

Fiction is art and art is the triumph over chaos… to celebrate a world that lies spread out around us like a bewildering and stupendous dream.

Romance has been elegantly defined as the offspring of fiction and love.

One always has a better book in one's mind than one can manage to get onto paper.

if something is there, you can only see it with your eyes open, but if it isn't there, you can see it just as well with your eyes closed. That's why imaginary things are often easier to see than real ones.

That's what fiction is for. It's for getting at the truth when the truth isn't sufficient for the truth.

Fiction reveals truth that reality obscures.

There is no doubt fiction makes a better job of the truth.

Neither novels or their readers benefit from any attempts to divine whether any facts hide inside a story. Such efforts attack the very idea that made-up stories can matter, which is sort of the foundational assumption of our species.

Literature is a luxury fiction is a necessity.

In fiction, beauty was run-of-the-mill.

It is untrue that fiction is nonutilitarian. The uses of fiction are synonymous with the uses of literature. They include refreshment, clarification of life, self-awareness, expansion of our range of experiences, and enlargement of our sense of understanding and discovery, perception, intensification, expression, beauty , and understanding. Like literature generally, fiction is a form of discovery, perception, intensification, expression, beauty, and understanding. If it is all these things, the

Finally I do like best of all stories whose necessity is in the implied recognition that someplace out there there exists an urgency—a chaos—, an insanity, a misrule of some dire sort which can end life as we know it but for the fact that this very story is written, this order found, this style determined, the worst averted, and we are beneficiaries of that order by being readers.

There is no society that does not highly value fictional storytelling. Ever.

I will go to my grave in a state of abject endless fascination that we all have the capacity to become emotionally involved with a personality that doesn't exist.

General fiction is pretty much about ways that people get into problems and screw their lives up. Science fiction is about everything else.

We care about moral issues, nobility, decency, happiness, goodness—the issues that matter in the real world, but which can only be addressed, in their purity, in fiction.

T.G.T.B.T: too good to be true.

Income tax returns are the most imaginative fiction being written today.

All novels . . . are concerned with the enigma of the self. As soon as you create an imaginary being, a character, you are automatically confronted by the question: what is the self? How can it be grasped?

Fiction is the only way to redeem the formlessness of life

Oh no, real life is escape. The great terrors, the horrors--we hope--of your life come from reading fiction.

Why should I want to make anything up? Life's bad enough as it is without wanting to invent any more of it.

...all I knew were novels. It gave me pause, for a moment, that all my reference points were fiction, that all my narratives were lies.

Even in the world of make-believe there have to be rules. The parts have to be consistent and belong together.

Fiction is one of the few experiences where loneliness can be both confronted and relieved. Drugs, movies where stuff blows up, loud parties -- all these chase away loneliness by making me forget my name's Dave and I live in a one-by-one box of bone no other party can penetrate or know. Fiction, poetry, music, really deep serious sex, and, in various ways, religion -- these are the places (for me) where loneliness is countenanced, stared down, transfigured, treated.

But wishes are only granted in fairy tales.

Life is infinitely stranger than anything which the mind of man could invent. We would not dare to conceive the things which are really mere commonplaces of existence. If we could fly out of that window hand in hand, hover over this great city, gently remove the roofs, and and peep in at the queer things which are going on, the strange coincidences, the plannings, the cross-purposes, the wonderful chains of events, working through generations, and leading to the most outre results, it would make

Good fiction’s job is to comfort the disturbed and disturb the comfortable.

While we read a novel, we are insane—bonkers. We believe in the existence of people who aren't there, we hear their voices... Sanity returns (in most cases) when the book is closed.

Imagination is more important than knowledge. For knowledge is limited to all we know and understand, while imagination embraces the entire world, and all there ever will be to know and understand.

Fiction wouldn't be much fun without its fair share of scoundrels, and they have to live somewhere.

A well-thought-out story doesn’t need to resemble real life. Life itself tries with all its might to resemble a well-crafted story.

The thing about real life is, when you do something stupid, it normally costs you. In books the heroes can make as many mistakes as they like. It doesn't matter what they do, because everything works out in the end. They'll beat the bad guys and put things right and everything ends up cool.In real life, vacuum cleaners kill spiders. If you cross a busy road without looking, you get whacked by a car. If you fall from a tree, you break some bones. Real life's nasty. It's cruel. It doesn't care abo

Sometimes fiction is more easily understood than true events. Reality is often pathetic.

The story you are about to read is a work of fiction. Nothing - and everything - about it is real.

Fantasy is storytelling with the beguiling power to transform the impossible into the imaginable, and to reveal our own “real” world in a fresh and truth-bearing light.

Just as pilots gain practice with flight simulators, people might acquire social experience by reading fiction.

Reading is an intelligent way of not having to think.

We don't read novels to have an experience like life. Heck, we're living lives, complete with all the incompleteness. We turn to fiction to have an author assure us that it means something.

Really good fiction could have as dark a worldview as it wished, but it'd find a way both to depict this world and to illuminate the possibilities for being alive and human i

Women and fiction remain, so far as I am concerned, unsolved problems.

History has its truth, and so has legend. Legendary truth is of another nature than historical truth. Legendary truth is invention whose result is reality. Furthermore, history and legend have the same goal; to depict eternal man beneath momentary man.

If you will practice being fictional for a while, you will understand that fictional characters are sometimes more real than people with bodies and heartbeats.

...required for good fiction: character, conflict, change through time. And if you're really blessed, you get resolution. But life doesn't usually work out that way.

The writing of solid, instructive stuff fortified by facts and figures is easy enough. There is no trouble in writing a scientific treatise on the folk-lore of Central China, or a statistical enquiry into the declining population of Prince Edward Island. But to write something out of one's own mind, worth reading for its own sake, is an arduous contrivance only to be achieved in fortunate moments, few and far in between. Personally, I would sooner have written Alice in Wonderland than the whole

In the end, fiction is the craft of telling truth through lies.

A good piece of fiction, in my view, does not offer solutions. Good stories deal with our moral struggles, our uncertainties, our dreams, our blunders, our contradictions, our endless quest for understanding. Good stories do not resolve the mysteries of the human spirit but rather describe and expand up on those mysteries.

There are people who think that things that happen in fiction do not really happen. These people are wrong.

Fiction that adds up, that suggests a "logical consistency," or an explanation of some kind, is surely second-rate fiction; for the truth of life is its mystery.

I have always held the old-fashioned opinion that the primary object of work of fiction should be to tell a story.

There is no excuse for anyone to write fiction for public consumption unless he has been called to do so by the presence of a gift. It is the nature of fiction not to be good for much unless it is good in itself.

A good book isn't written, it's rewritten.

A good story is always more dazzling than a broken piece of truth.

There is something in us, as storytellers and as listeners to stories, that demands the redemptive act, that demands that what falls at least be offered the chance to be restored. The reader of today looks for this motion, and rightly so, but what he has forgotten is the cost of it. His sense of evil is diluted or lacking altogether, and so he has forgotten the price of restoration. When he reads a novel, he wants either his sense tormented or his spirits raised. He wants to be transported, inst

I have claimed that Escape is one of the main functions of fairy-stories, and since I do not disapprove of them, it is plain that I do not accept the tone of scorn or pity with which 'Escape' is now so often used. Why should a man be scorned if, finding himself in prison, he tries to get out and go home? Or if he cannot do so, he thinks and talks about other topics than jailers and prison-walls?

There's always moral instruction whether the writer inserts it deliberately or not. The least effective moral instruction in fiction is that which is consciously inserted. Partly because it won't reflect the storyteller's true beliefs, it will only reflect what he BELIEVES he believes, or what he thinks he should believe or what he's been persuaded of. But when you write without deliberately expressing moral teachings, the morals that show up are the ones you actually live by. The beliefs that y

There were no absolutes in fiction, no certain way to deliver what was needed. So it was no surprise most technical writers considered novel-writing a gateway to madness.