Quotes about rats

I should have been conceived during Woodstock it’s in my blood: that burning desire to turn an absolute on its head and see what’s underneath. I’m as random as I can be and as responsible as I should be. Attempting to fuse the two makes for interesting days.

I’ve had a fountain pen surgically implanted in my left index finger to save trouble. My body is tattooed with line upon line of truth, fiction, and a not-always-pleasing mix of the two.

This piece of earth I billet grows small. Bullets of time dart past, dropping shards of opportunity at my feet. And until the rift that surrounds my decaying body clamps shut—swallows me up like so many remains—I army on, simultaneously ignoring and saving my comrades in the hole.Such is a writer’s life.

I have a bad habit of dropping verbal pellets to get a reaction, like Ursula LeGuin’s “A novelist’s business is lying” (that particular one got a lot of attention on Facebook), or, “Why is it that Christians hate the word ‘sex’?

Hardly had the light been extinguished, when a peculiar trembling beganto affect the netting under which the three children lay.It consisted of a multitude of dull scratches which produced a metallicsound, as if claws and teeth were gnawing at the copper wire. This wasaccompanied by all sorts of little piercing cries.The little five-year-old boy, on hearing this hubbub overhead, andchilled with terror, jogged his brother's elbow; but the elder brotherhad already shut his peepers, as Gavroche had

She wore red lipstick the next time that I saw her, though her hair was more voluminous with dirt than before. Owing, like everything else about these girls, to the fertility of rats.

I will not join the rat race because I'm not a rat. And I will not blindly follow a specific faith because I'm not a bat. The only race I'll take part in is for humans being humane. It's called the human race, and sadly it's got the least participants.

OK," Josh said evenly, "I've seen men made of mud, I guess I can accept spying rats. Do they talk?" he wondered aloud.Don't be ridiculous," Flamel snapped, "They're rats."Josh really didn't think it was a ridiculous suggestion.

Hermes smiled. "I knew a boy once ... oh, younger than you by far. A mere baby, really."Hermes ignored them. "One night, when this boy's mother wasn't watching, he sneaked out of their cave and stole some cattle that belonged to Apollo.""Did he get blasted to tiny pieces?" I asked."Hmm ... no. Actually, everything turned out quite well. To make up for his theft, the boy gave Apollo an instrument he'd invented-a lyre. Apollo was so enchanted with the music that he forgot all about being angry."So

There is only one place to write and that is alone at a typewriter. The writer who has to go into the streets is a writer who does not know the streets. . . when you leave your typewriter you leave your machine gun and the rats come pouring through.

You dirty rat...

The real point is this: We don't know where to go because we don't know what we are. Do you want to go back to living in a sewer-pipe? And eating other people's garbage? Because that's what rats do. But the fact is, we aren't rats anymore. We are something Dr. Schultz has made. Something new.

I should mention, by the way, that LVR stands for Luminal Velocity Regulator. I suppose it could also stand for Large Venezeulan Rats, but in this case it does not.

I’ve never had a rat, never chased one. I chase my own tail and that’s enough. I must now make plans for the day I catch it.

Still, it seemed to us that the main reason we were hated must be that we always lived by stealing. From the earliest times, rats lived around the edges of human cities and farms, stowed away on men's ships, gnawed holes in their floors and stole their food. Sometimes we were accused of biting human children; I didn't believe that, nor did any of us⎼unless it was some kind of a subnormal rat, bred in the worst of city slums. And that, of course, can happen to people, too.

I’m engaged in the dance of the ages and the search for a song to go with it. Though Templeton’s A Veritable Smorgasbord is a well-deserving classic, it’s a stanza too short for my morphing existence. So I write my own.

Hermes smiled. "I knew a boy once ... oh, younger than you by far. A mere baby, re

There is the title of one book In Underground One Can Meet Only Rats. And I'd re-phrase, In Cosmos One Can Meet Only Mutants, besides, rats are mutants too there, in cosmos, therefore, I'd rather walk on the ground.

I see an actress smoking a cigarette in an old Fred McMurray movie. She’s clever and beautiful and manipulative. I feel envy. I suddenly wish I smoked cigarettes and was as clever and beautiful and manipulative as she. I want to be that way at the restaurants I visit, as I’m walking to my car, with certain friends who might understand. The actress has played her part well; she’s made me want to emulate her base desires if only for a while. Does that make me impressionable, a fool, or someone who

What sort of gods make rats and plagues and dwarfs?

I die with the dying light, yet shine brighter as the darkness approaches. Soon I’ll be whittled to bone and stripped clean through, nothing left but a skeleton on which to hang a hat. But have no fear, I look good in hats.

This world rubs me raw, scours me smooth like an SOS pad put to a grease-caked skillet. And pain: it stabs and scrapes and pulls me back to earth, my final B&B, that worm-spun cot of cool black sod.

Despite all my rageI am still just a rat in the cage.

Once or twice I saw evidence that rats had been nesting among the books, rearranging them to make snug two and three-level homes for themselves and smearing dung on the covers to form the rude characters of their speech.

Don’t cluster tasks on your way. Some tasks would definitely have to be postponed to the next day. You can’t do all things in one day. You can’t chase two rabbits at the same time. Both will escape.

I don’t want to believe in boxes or one-way relationships; I’m naïve, you see. I’d rather moon the moon than flip off a friend, but sometimes I flip so I don’t get flipped. And I still think I’m misunderstanding the Golden Rule.

I speak, I speak, and truth at that. Writers are a curious breed: brooding, fickle, alternately loving and hating their work—and each other. You’re my friend? Don’t pick up that pen!

sunset and evening star hunching and bending sleeping and slipping virus pneumonia coughing and crying hope in the small things heaven looks brighter aching and falling earth is still darkness slip into sleeping sleepings of death dead now and buried cold now and crumbling dust now and hope-filled heaven is hope (and loneliness lingers in those left behind)

Rats! There goes the bell... oh, how I hate lunch hours! I always have to eat alone because nobody likes me... Peanut butter again... I wish that little red haired girl would come over, and sit with me. Wouldn’t it be great if she’d walk over here, and say, “May I eat lunch with you, Charlie Brown?” I’d give anything to talk with her... she’d never like me, though... I’m so blah and so stupid... she’d never like me... I wonder what would happen if I went over and tried to talk to her! Everyone w

You want proof evolution is for real, don’t waste your time with fossils; just check out the New York City rat. They started out as immigrants, stowaways in some ship’s cargo hold. Only the survivors got to breed, and they’ve been improving with every new litter. Smarter, faster, stronger. Getting ready to rule. Manhattan wouldn’t be the first island they took over.

But there was more to it than that. As the Amazing Maurice said, it was just a story about people and rats. And the difficult part of it was deciding who the people were, and who were the rats.

PLEASE TELL ME YOU KNOW OF SYLVIA PLATHConventions bleed my soulsqueeze me oldwear me grey like a headstone in transit.It’s tradition and form—fear of the unknown—driving me deadin tight spaces darkly.I cry aloudbut who can hearwhen I stand alonein the middle of an art show….

I read a book, am vortexed in with no escape; my face contorts, eyelids frost, breath comes short, body longs, heart stop-starts. Who’s to say too much won’t kill me? Who’s to say I care?

You want to get your book to press. You rush it through. Revision number twenty—done. Do you really need twenty more? Yes. A half-baked book is a half-birthed child. It aborts, is put on life support; reviewers line the hall to pull the plug.

I feign knowledge of writing: that I know something about it, that I should have learned something after all these years, that I might know something tomorrow. I read too much and write too little, or write too much and live too little. I have no classical education, no literary degree. I’m not specialized, Hugoed or geniusized; should I be writing at all? In this whole vast world, I’m a female peon sitting here at night wondering what it is I want to say. I aim for fluidity. But no, nix that li

Nonfiction. I didn’t choose it as much as it chose me. It squatted and birthed me one raw winter day then jerked me up and set me to scribing.

I think that’s why I write—the not knowing and the blasted good feeling I get out of it all.

He hated heights and rats, and now he had both.

A nonhuman animal had better have a good lawyer. In 1508, Bartholomé Chassenée earned fame and fortune for his eloquent representation of the rats of his French province. These rats had been charged with destroying the barley crop and also with ignoring the court order to appear and defend themselves. Bartholomé Chassenée argued successfully that the rats hadn't come because the court had failed to provide reasonable protection from the village cats along the route.

Jill showed friend Kay the cute white mice.They liked to run races for cheese.Mice were lots of fun to play with.Jill said, "Take Poopsie, the male one, please!

The rat isthe mous-tacheinthetrache.the wrong-doerinthesoer.

The flute of the Pied Piper of Hamelin has never left us and it is essential that we train our ear to detect its false notes because in our case the flute is being played by the rats.

It will be impossible to catch all the rats, my love,” he says. His hand brushes against mine. “Sooner or later, one will squeeze through the cracks. You need to be more careful.

I don't like rats any more than the next bloke, but they ain't wicked and cruel like people can be. They're just ratty in their habits.

Every once in a bestseller list, you come across a truly exceptional craftsman, a wordsmith so adept at cutting, shaping, and honing strings of words that you find yourself holding your breath while those words pass from page to eye to brain. You know the feeling: you inhale, hold it, then slowly let it out, like one about to take down a bull moose with a Winchester .30-06. You force your mind to the task, scope out the area, take penetrating aim, and . . . read.But instead of dropping the quarr