Quotes about readers

Read different to think differently world is already into rat race.

There is an audience for everything our job as writers is to do the work and provide readers with a choice.

Raining with words words becomes sentences sentences becomes a paragraph and paragraphs becomes a short story!

Every book is its own black hole. Don’t fight the pull find out where it takes you.

Reading gives liberty to your mind.

Word-Power'Being stuck in my room,I've become a world traveler.If you wonder how...just guess how I've reached you right now

A good reader has the power to move the world.

Self-education begins with the passion to read the Scriptures.

Lost: The common sense of an unconventional dreamer. If found, please return to Love The Stacks.

Even if readers claim that they 'take it all with a grain of salt', they do not really. They yearn to believe, and they believe, because believing is easier than disbelieving, and because anything which is written down is likely to be 'true in a way'.

This is every reader's catch-22: the more you read, the more you realize you haven't read; the more you yearn to read more, the more you understand that you have, in fact, read nothing. There is no way to finish, and perhaps that shouldn't be the goal.

The way a book is read- which is to say,the qualities a reader brings to a book- can have as much to do with its worth as anything the author puts into it.

Since the age of five I had been one of those people who was an indefatigable reader, more inclined to go off by myself with a book than do any of the dozens of things that children usually do to amuse themselves. I never aged out of it.

Most non-readers are nothing but an agglomeration of third-hand opinion and blindly received wisdom.

All these are readers, and their gestures, their craft, the pleasure, the responsibility and the power they derive from reading, are common with mine. I am not alone.

He always thinks because I'm reading, I'm not doing anything. There is no greater plague to an introvert than the extroverted.

The books and magazines streamed in. He could buy them all, they piled up around him and even while he read, the number of those still to be read disturbed him. … they stood in rows, weighing down his life like a possession which he did not succeed in subordinating to his personality.

We forget that the simple gesture of putting a book in someone's hands can change a life. I want to remind you that it can. I want to thank you because it did. - 2010 Indies Choice Award

A reader lives a thousand lives before he dies, said Jojen. The man who never reads lives only one.

Show me a family of readers, and I will show you the people who move the world.

The worst readers are those who behave like plundering troops: they take away a few things they can use, dirty and confound the remainder, and revile the whole.

Books are a portable kind of time travel. We go back as well as forward when we read them. When we come back into the now, after being immersed in worlds previously unknown to us, we find ourselves, transformed. Touched by their magic, nothing we ever perceived beforehand remains quite the same.

When someone tells me to 'just relax,' I wonder why they don’t hand me a book?

Every book begins and ends with other people- the readers who suggest the book to us and encourage us to read it, the talented author who crafted each word, the fascinating individuals we meet inside the pages- and the readers we discuss and share the book with when we finish.

I don't read books to finish them, I read to consume them.

Nothing irritates me so as the flatness of people’s imagination.

Books are carnival rides for your imagination.

So you’re a reader,” My mom sighs, as if somehow this elevates Isabel to yet another realm of perfection.

You really want to know what being an X-Man feels like? Just be a smart bookish boy of color in a contemporary U.S. ghetto. Mamma mia! Like having bat wings or a pair of tentacles growing out of your chest.

I’m interested in connecting with readers and strangers through poetry. I want to create real intimacy with my poems. Whether I do that through pulling from my personal life or using my fantasy life—or say history, whether that history is personal history or our collective histories—what’s important is that an experience is created. An experience that will hopefully matter to people and feel real. I want my poems to move people and make them want to live their lives, however complicated and impo

I grasp words for the sake of clutching My mind considers them heart touchingRight then I write for my reader's pleasureNot knowing what distance a soul can measure

I'm not saying that you have to be a reader to save your soul in the modern world. I'm saying it helps.

To you, perceptive reader, I bequeath my history.

It’s not in the book or in the writer that readers discern the truth of what they read; they see it in themselves, if the light of truth has penetrated their minds.

As readers, we are seldom interested in the fine sentiments of a lesson learnt; we seldom care about the good manners of morals. Repentance puts an end to conversation; forgiveness becomes the stuff of moralistic tracts. Revenge - bloodthirsty, justice-hungry revenge - is the very essence of romance, lying at the heart of much of the best fiction.

Books. They are lined up on shelves or stacked on a table. There they are wrapped up in their jackets, lines of neat print on nicely bound pages. They look like such orderly, static things. Then you, the reader come along. You open the book jacket, and it can be like opening the gates to an unknown city, or opening the lid of a treasure chest. You read the first word and you're off on a journey of exploration and discovery.

Maybe this is why we read, and why in moments of darkness we return to books: to find words for what we already know.

This is where we should start focusing this conversation: how men (as readers, critics, and editors) can start to bear the responsibility for becoming better, broader readers.

Life … is a bit like reading. … If all your responses to a book have already been duplicated and expanded upon by a professional critic, then what point is there to your reading? Only that it’s yours. Similarly, why live your life? Because it’s yours. But what if such an answer becomes less and less convincing?

The characters act for reasons that they can’t control and, as readers, we have to believe in their motivations, their sense of choice and in the reality of their suffering, even though, deep down, we know it’s all just puppetry on the part of the writer.

Are you imperfect, romantically irrational, ridiculously fearless, and utterly illogical? You're my ideal reader, friend, partner. I'm your fan.

Novelists are basically inviting their readers to play a game of pretend. That's what fiction is: a game of pretend.

The type of mind that can understand good fiction is not necessarily the educated mind, but it is at all times the kind of mind that is willing to have its sense of mystery deepened by contact with reality, and its sense of reality depend by contact with mystery. Fiction should be both canny and uncanny. In a good deal of popular criticism, there is the notion operating that all fiction has to be about the Average Man, and has to depict average ordinary everyday life, that every fiction writer m

The public wants work which flatters its illusions.

Every reader finds himself. The writer's work is merely a kind of optical instrument that makes it possible for the reader to discern what, without this book, he would perhaps never have seen in himself.

We who make stories know that we tell lies for a living. But they are good lies that say true things, and we owe it to our readers to build them as best we can. Because somewhere out there is someone who needs that story. Someone who will grow up with a different landscape, who without that story will be a different person. And who with that story may have hope, or wisdom, or kindness, or comfort. And that is why we write.

Let us record the atoms as they fall upon the mind in the order in which they fall, let us trace the pattern, however disconnected and incoherent in appearance, which each sight or incident scores upon the consciousness. Let us not take it for granted that life exists more fully in what is commonly thought big than in what is commonly thought small.

Writing is.... being able to take something whole and fiercely alive that exists inside you in some unknowable combination of thought, feeling, physicality, and spirit, and to then store it like a genie in tense, tiny black symbols on a calm white page. If the wrong reader comes across the words, they will remain just words. But for the right readers, your vision blooms off the page and is absorbed into their minds like smoke, where it will re-form, whole and alive, fully adapted to its new envi

I know that no reader ever asks a question. A writer must force his favors upon his readers.

All writers are waiting for replies. That’s what I’ve learned. Maybe all human beings are

The reality of a serious writer is a reality of many voices, some of them belonging to the writer, some of them belonging to the world of readers at large.

We as authors sign a pact with our readers they'll go on reading because they trust us to play fair with them and deliver what we've promised.

Every article and review and book that I have ever published has constituted an appeal to the person or persons to whom I should have talked before I dared to write it. I never launch any little essay without the hope—and the fear, because the encounter may also be embarrassing—that I shall draw a letter that begins, 'Dear Mr. Hitchens, it seems that you are unaware that…' It is in this sense that authorship is collaborative with 'the reader.' And there's no help for it: you only find out what y

If the writer were more like a reader, he’d be a reader, not a writer. It’s as uncomplicated as that.

The ear is the only true writer and the only true reader. I know people who read without hearing the sentence sounds and they were the fastest readers. Eye readers we call them. They get the meaning by glances. But they are bad readers because they miss the best part of what a good writer puts into his work.

When I work, I'm just translating the world around me in what seems to be straightforward terms. For my readers, this is sometimes a vision that's not familiar. But I'm not trying to manipulate reality. This is just what I see and hear.

I want you to tell all these people that I wanted more time to spend with them. Tell them I meant to, tell them I wanted to hear what they said and tell them what was on my mind.

Men, I say, but better to call them human spiders that go crawling in between and under the tables with rags in their hands, crushed humans...) Quotes from readers choice of MK Gandhi and his efforts to regenerate the human being,

Love, doesn't need any stamp of society to prove itself, it just happens

There is nothing more amazing than being with the one you love.

There is only one happiness in life. To love, and to be loved

Hey, Geekoid!" yelled Duncan Dougal, "Why do you read so much? Don't you know how to watch TV?

Not all readers become leaders, but all leaders must be readers.

Well… Actually, just read any books you find interesting will do. Even books that seem boring aren’t actually that dull. It’s just that the reader couldn’t find the interesting parts.

Those who spend the greater part of their time in reading or writing books are, of course, apt to take rather particular notice of accumulations of books when they come across them. They will not pass a stall, a shop, or even a bedroom-shelf without reading some title, and if they find themselves in an unfamiliar library, no host need trouble himself further about their entertainment.

What I saw next stopped me dead in my tracks. Books. Not just one or two dozen, but hundreds of them. In crates. In piles on the floor. In bookcases that stretched from floor to ceiling and lined the entire room. I turned around and around in a slow circle, feeling as if I'd just stumbled into Ali Baba's cave. I was breathless, close to tears, and positively dizzy with greed.

It has long been my belief that everyone's library contains an Odd Shelf. On this shelf rests a small, mysterious corpus of volumes whose subject matter is completely unrelated to the rest of the library, yet which, upon closer inspection, reveals a good deal about its owner.

Readers, censors know, are defined by the books they read.

Readers are bullied in schoolyards and in locker-rooms as much as in government offices and prisons.

Books can truly change our lives: the lives of those who read them, the lives of those who write them. Readers and writers alike discover things they never knew about the world and about themselves.

If every library is in some sense a reflection of its readers, it is also an image of that which we are not, and cannot be.

We were never organized readers who would see a book through to its end in any sory of logical order. We weave in and out of words like tourists on a hop-on, hop-off bus tour. Put a book down in the kitchen to go to the bathroom and you might return to find it gone, replaced by another of equal interest. We are indiscriminate.

She never managed to find herself in these books no matter how hard she tried, exhuming traits from between the pages and donning them for an hour, a day, a week. We think in some ways, we have all done this our whole lives, searching for the book that will give us the keys to ourselves, let us into a wholly formed personality as though it were a furnished room to let. As though we could walk in and look around and say to the gray-haired landlady behind us, "We'll take it.

The characters within a book were, from a certain point of view, identical on some fundamental level ‒ there weren't any images of them, no physical tangibility whatsoever. They were pictures in the reader's head, constructs of imagination and ideas, given shape by the writer's work and skill and the reader's imagination. Parents, of a sort.

Certain bookworms eat books. Eat them, swear in them, spill things on them.

I never minded the random scribblings of other readers, found them interesting in fact. It is a truth universally acknowledged that people write the darndest things in the margins of their books.

The true reader reads every work seriously in the sense that he reads it whole-heartedly, makes himself as receptive as he can. But for that very reason he cannot possibly read every work solemly or gravely. For he will read 'in the same spirit that the author writ.'... He will never commit the error of trying to munch whipped cream as if it were venison.

Perhaps they were looking for passion; perhaps they delved into this book as into a mysterious parcel - a gift box at the bottom of which, hidden in layers of rustling tissue paper, lay something they'd always longed for but couldn't ever grasp.

And she is the readerwho browses the shelfand looks for new worldsbut finds herself.

A good reader should always have two books with him: one to read, the other one to lend.

Books gnaw at me from around the edges of my life, demanding more time and attention. I am always left hungry.

Every reader writes the book he or she reads, supplying what isn't there, and that creative invention becomes the book.

Whenever one of us introduced an old favorite, we savored the other's first delight like a shared meal eaten with a newly acquired gusto, as if we'd never truly tasted it before.

To whom do books belong? The books we read and the books we write are both ours and not ours. They're also theirs.

Hey, pretty book, why don’t you lie in my lap awhile?

Readers, not critics, are the people who determine a book's eventual fate.

Bookish people, who are often maladroit people, persist in thinking they can master any subtlety so long as it's been shaped into acceptable expository prose.

...but one can't be irredeemable who shows reverence for books.

There were the people who read and there were the others. Whether you were a reader or a nonreader--it was quickly noted. There was no greater distinction between people. People were amazed when he asserted that and many shook their head at such crankiness. But that's how it was.

Great readers (are) those who know early that there is never going to be time to read all there is to read, but do their darnedest anyway.

Of all books printed, probably not more than half are ever read. Many are embalmed in public libraries; many go into private quarters to fill spaces; many are glanced at and put away...scarcely opened until the fire needs kindling. The most ardent book-lovers are not always the greatest readers; indeed, the rabid bibliomaniac seldom reads at all. To him books are as ducats to the miser, something to be hoarded and not employed... So pleasant it is to buy book; so tiresome to utilize them.

She read all sorts of things: travels, and sermons, and old magazines. Nothing was so dull that she couldn't get through with it. Anything really interesting absorbed her so that she never knew what was going on about her. The little girls to whose houses she went visiting had found this out, and always hid away their story-books when she was expected to tea. If they didn't do this, she was sure to pick one up and plunge in, and then it was no use to call her, or tug at her dress, for she neithe

The odd thing about people who had many books was how they always wanted more.

Ah, how good it is to be among people who are reading.

I have a passion for teaching kids to become readers, to become comfortable with a book, not daunted. Books shouldn't be daunting, they should be funny, exciting and wonderful; and learning to be a reader gives a terrific advantage.

When a reader falls in love with a book, it leaves its essence inside him, like radioactive fallout in an arable field, and after that there are certain crops that will no longer grow in him, while other, stranger, more fantastic growths may occasionally be prod

Life is truly a matter of choices, reactions, and actions...each and every choice is governed by our reactions which in turn affect our actions and consequently the future turn of events

Novelists and the literary world play an important part in shaping languages. The Swahili they write influence the readers and their languages. The literary obstacle in Tanzania is not that people do not read, but that they don’t read because there are no interesting writers.

Writers possess magic. It's in their w