Quotes about subjectivity

The depth of your art is subject to originality Your own authentic style.

Intellectually, what is stimulating to a young man is a problem of obvious practical importance. A young man learning economics, for example, ought to hear lectures from individualists and socialists, protectionists and free-traders, inflationists and believers in the gold standard. He ought to be encouraged to read the best books of the various schools, as recommended by those who believe in them. This would teach him to weigh arguments and evidence, to know that no pinion is certainly right, a

Innate in nearly every artistic nature is a wanton, treacherous penchant for accepting injustice when it creates beauty and showing sympathy for and paying homage to aristocratic privilege.

The idea of some kind of objectively constant, universal literary value is seductive. It feels real. It feels like a stone cold fact that In Search of Lost Time, by Marcel Proust, is better than A Shore Thing, by Snooki. And it may be; Snooki definitely has more one-star reviews on Amazon. But if literary value is real, no one seems to be able to locate it or define it very well. We’re increasingly adrift in a grey void of aesthetic relativism.

I only care for the subjective life; I am very German, you see: The woods interest me, and the world does not.

Perhaps this is how it is--life flowing smoothly over memory and history, the past returning or not, depending on the tide. History is a collection of found objects washed up through time. Goods, ideas, personalities, surface towards us, then sink away. Some we hook out, others we ignore, and as the pattern changes, so does the meaning. We cannot rely on the facts. Time, which returns everything, changes everything.

An offering for the sake of offering, perhaps. Anyhow, it was her gift. Nothing else had she of the slightest importance; could not think, write, even play the piano. She muddled Armenians and Turks; loved success; hated discomfort; must be liked; talked oceans of nonsense: and to this day, ask her what the Equator was, and she did not know.All the same, that one day should follow another; Wednesday, Thursday, Friday, Saturday; that one should wake up in the morning; see the sky; walk in the par

Those who like to interpret historical facts symbolically may recognize in this the spirit of a specifically "modern" conception of the world which permits the subject to assert itself against the object as something independent and equal; whereas classical antiquity did not as yet permit the explicit formulation of this contrast; and whereas the Middle Ages believed the subject as well as the object to be submerged in a higher unity.

These two developments throw light on what is perhaps the most fundamental difference between the Renaissance and all previous periods of art. We have repeatedly seen that there were these circumstances which could compel the artist to make a distinction between the "technical" proportions and the "objective;" the influence of organic movement, the influence of perspective foreshortening, and the regard for the visual impression of the beholder. These three factors of variation have one thing in

The work of art always requires us to adapt to it—and in this manner can be distinguished from escapism or shallow entertainment, which instead aims to adapt to the audience, to give the public exactly what it wants. We can tell that we are encountering a real work of art by the degree to which it resists subjectivity.

A hundred francs! Oh, dear me! It is worth millions of francs, my child. But my -- dealer -- here tells me that in fact a picture is worth only what someone will give for it. How much money do you have?"Julia took out her purse and counted. "Four francs and twenty sous," she said, looking up at him sadly."Is that all the money you have in the world?"She nodded."Then four francs and twenty sous it is.

We are not our own light.

When two things occur successively we call them cause and effect if we believe one event made the other one happen. If we think one event is the response to the other, we call it a reaction. If we feel that the two incidents are not related, we call it a mere coincidence. If we think someone deserved what happened, we call it retribution or reward, depending on whether the event was negative or positive for the recipient. If we cannot find a reason for the two events' occurring simultaneously or

All we know is what we're told.

Einer hat immer Unrecht: aber mit zweien beginnt die Wahrheit. Einer kann sich nicht beweisen: aber zweie kann man bereits nicht widerlegen.

It's not objective. It's subjective.” Katya hooks her bra behind her back. “It's just what you think, not the truth.

I think I am, therefore, I am... I think.

But fairytales were, at best, dirty mirrors whose warped and pitted surfaces reflected a highly distorted view of the truth, quite different from reality.

Even more remote from his way of thinking, even more impossible than any other thought, would have been words such as this: “Is it only I alone who have created this experience, or is it objective reality? Does the Master have the same feelings as I, or would mine amuse him? Are my thoughts new, unique, my own, or have the Master and many before him experienced and thought exactly the same?” No, for him there were no such analyses and differentiations. Everything was reality, was steeped in real

Moving across levels of the particular and the abstract, trying to avoid a transcendent purchase on the objects of study, we set ourselves up for necessary failure in order to learn how to find our way into post-foundational possibilities.

Daisuke was the sort of man who, once he was disturbed by something, no matter what, could not let go of it until he had pursued it to the utmost. Moreover, having the capacity to assess the folly of any given obsession, he was forced to be doubly conscious of it. Three of four years ago he had tackled the question of the process whereby his waking mind entered the realm of dreams. At night, when he had gotten under the covers and begun to doze off nicely, he would immediately think, this is it,

And if he had judged her harshly? If her life were a simple rosary of hours, her life simple and strange as a bird's life, gay in the morning, restless all day, tired at sundown? Her heart simple and willful as a bird's heart?

Changes is the mother of time. Absence of changes makes no time.

I have a brother. They say, you put us together, we are like one person, you know? When we are young, his hair, it is very blond, very light, and people say, he is the good one. And my hair it is very dark, darker than yours even, and people say I am the rogue, you know? I am the bad one. And now time passes, and my hair is gray. His hair too, I think, is gray. And you look at us, you would not know who was light, who was dark.

The world is inseparable from the subject, but from a subject which is nothing but a project of the world, and the subject is inseparable from the world, but from a world which the subject itself projects.

It turns out that the men who ultimately, who unpretentiously value peace are willing to sacrifice their own peace of mind in order to render it. The question is, 'Who, between opposing forces, would do such a thing?' It seems only theoretical albeit true that men who accept an objective rather than subjective moral standard are, in a general sense, more capable of making such sacrifices for the sake of peace.

Music is either good or it isn’t, it’s not someone’s opinion.

The academic bias against subjectivity not only forces our students to write poorly ("It is believed...," instead of, "I believe..."), it deforms their thinking about themselves and their world. In a single stroke, we delude our students into believing that bad prose turns opinions into facts and we alienate them from their own inner lives.

The person with an itch can't understand why everyone's not scratching.

A young woman faces the decision of whether to marry a certain man whom she loves but who has deeply rooted, traditional ideas concerning marriage, family life, and the roles of men and women in each. A sober assessment of her future tell the woman that each of the two alternatives offers real but contrasting goods. One life offers the possibility of a greater degree of personal independence, the chance to pursue a career, perhaps more risk and adventure, while the other offers the rewards of pa

Unlike any other empirical object in Nature, the mind's presence is immediately apparent to itself, but opaque to all external observers.

Smartass Disciple: Master, why do some people so stubborn and unruly ?Master of Stupidity: Only when you want them do according to your wish.

Well, it all comes to this, there's no use trying to live in other people's opinions. The only thing to do is to live in our own.

The insistent drums were an unwelcome reminder of the existence of another world, wholly autonomous, with its own necessities and patterns. The message they were beating out, over and over, was for her; it was saying, not precisely that she did not exist but rather that it did not matter whether she existed or not, that her presence was of no consequence to the rest of the cosmos. It was a sensation that suddenly paralyzed her with dread. There had never been any question of her “mattering”; it

To stand on one leg and prove God's existence is a very different thing from going on one's knees and thanking Him.

I will only start taking book reviews seriously from the day that books are able to review readers.

Domination and critique have always formed an apparatus covertly against a common hostis: the conspirator, who works under cover, who used everything THEY give him and everything THEY attribute to him as a mask. The conspirator is everywhere hated, although THEY will never hate him as much as he enjoys playing his game. No doubt a certain amount of what one usually calls “perversion” accounts for the pleasure, since what he enjoys, among other things, is his opacity. But that isn’t the reason TH

Art is personal, criticism shouldn't be.

[Howard Roark] was asked for a statement, and he received a group of reporters in his office. He spoke without anger. He said:'I can't tell anyone anything about my building. If I prepared a hash of words to stuff into other people's brains, it would be an insult to them and to me. But I am glad you came here. I do have something to say. I want to ask every man who is interested in this to go and see the building, to look at it and then to use words of his own mind, if he cares to speak.'The Ban

When you're in bad mood, you find jerk on anywhere.

Subjectivity measures nothing consistently.

There is no law by which to determine the superiority of nations; hence the vanity of the claim, and the idleness of disputes about it. A people risen, run their race, and die either of themselves or in the hands of another, who, succeeding to their power, take possession of their place, and upon their monuments write new names; such is history.

People almost invariably arrive at their beliefs not on the basis of proof but on the basis of what they find attractive.

One criticism of Freud still sometimes heard on the political Left is that his thinking is individualist — that he substitutes ‘private’ psychological causes and explanations for social and historical ones. This accusation reflects a radical misunderstanding of Freudian theory. There is indeed a real problem about how social and historical factors are related to the unconscious; but one point of Freud’s work is that it makes it possible for us to think of the development of the human individual

Daisuke was of course equipped with conversation that, even if they went further, would allow him to retreat as if nothing had happened. He had always wondered at the conversations recorded in Western novels, for to him they were too bald, too self indulgent, and moreover, too unsubtly rich. However they read in the original, he thought they reflected a taste that could not be translated into Japanese. Therefore, he had not the slightest intention of using imported phrases to develop his relatio

We do not see things as they are, nor do we even see them as we are, but only as we believe our story to have been.

Yes, there is an outside world, and yes, there is an objective reality, but in moving through this world, we constantly apply unconscious filter mechanisms, and in doing so, we unknowingly construct our own individual world, which is our "reality tunnel.

For myself, I wouldn't have lifted a finger to own a Rolex, a pair of Nikes or a BMW Z3; in fact, I had never succeeded in identifying the slightest difference between designer goods and non-designer goods. In the eyes of the world, I was clearly wrong. I was aware of this: I was in a minority, and consequently in the wrong. There had to be a difference between Yves Saint-Laurent shirts and other shirts, between Gucci moccasins and Andre moccasins. I was alone in not perceiving this difference;

We human beings constitute and reconstitute ourselves through cultural traditions, which we experience as our own development in a historical time that spans the generations. To investigate the life-world as horizon and ground of all experience therefore requires investigating none other than generativity - the processes of becoming, of making and remaking, that occur over the generations and within which any individual genesis is always already situated. ... Individual subjectivity is intersubj

What Althusser does… is to rethink the concept of ideology in terms of Lacan’s ‘imaginary’. For the relation of an individual subject to society as a whole in Althusser’s theory is rather like the relation of the small child to his or her mirror-image in Lacan’s. In both cases, the human subject is supplied with a satisfyingly unified image of selfhood by identifying with an object which reflects this image back to it in a closed, narcissistic circle. In both cases, too, this image involves a mi

Centuries of navel-gazing. Millennia of masturbation. Plato to Descartes to Dawkins to Rhanda. Souls and zombie agents and qualia. Kolmogorov complexity. Consciousness as Divine Spark. Consciousness as electromagnetic field. Consciousness as functional cluster.I explored it all.Wegner thought it was an executive summary. Penrose heard it in the singing of caged electrons. Nirretranders said it was a fraud; Kazim called it leakage from a parallel universe. Metzinger wouldn't even admit it existed

Preachers love only their own voices.

In conscious life, we achieve some sense of ourselves as reasonably unified, coherent selves, and without this action would be impossible. But all this is merely at the ‘imaginary’ level of the ego, which is no more than the tip of the iceberg of the human subject known to psychoanalysis. The ego is function or effect of a subject which is always dispersed, never identical with itself, strung out along the chains of the discourses which constitute it. There is a radical split between these two l

Empiricism assumes that objects can be understood independendy of observing subjects. Truth is therefore assumed to lie in a world external to the observer whose job is to record and faithfully reflect the attributes of objects. This logical empiricism is a pragmatic version of that scientific method which goes under the name of 'logical positivism', and is founded in a particular and very strict view of language and meaning.

Having arrived at this point, he had found no direction in which to go save that of further withdrawal into a subjectivity which refused existence to any reality or law but its own. During these postwar years he had lived in solitude and carefully planned ignorance of what was happening in the world. Nothing had importance save the exquisitely isolated cosmos of his own consciousness. Then little by little he had had the impression that the light of meaning, the meaning of everything was dying.

It will be seen how subjectivism and objectivism, spiritualism and materialism, activity and suffering, only lose their antithetical character, and thus their existence, as such antitheses in the social condition; it will be seen how the resolution of the theoretical antitheses is only possible in a practical way, by virtue of the practical energy of men. Their resolution is therefore by no means merely a problem of knowledge, but a real problem of life, which philosophy could not solve precisel

The person with an itch can't understand why everyone isn't scratching.

In the history of the world, a whole story has never been told.

Although this was not a comforting point of view, he did not reject it, because it coincided with one of his basic beliefs: that a man must at all costs keep some part of himself outside and beyond life. If he should ever for an instant cease doubting, accept wholly the truth of what his senses conveyed to him, he would be dislodged from the solid ground to which he clung and swept along with the current, having lost all objective sense, totally involved with existence.

Shows itself in the notion that what may be objectively true may in the mouth of certain people become false.

It is up to the individual to 'choose' their repertoire of the self. If they do not have access to the range of narratives and discourses for the production of the ethical self they may be held responsible for choosing badly, an irresponsible production of themselves

Those two little words -- says you -- are the most powerful argument in any discipline: theology, philosphy, even domestic harmony. They are powerful because they are true. Whenever you say something, it is you who says it. You. And what do you know?

Everyone's memories and feelings are subjective, and we're teach trapped in our own perspectives. But the difference between perspectives, collectively, create objectivity.

Don't try to create the world in your image-that was God's mistake.

If you like it, you'll find a way to justify it.But if you don't , you'll find ways to falsify it.

The locus of the human mystery is perception of this world. From it proceeds every thought, every art.

Some people's taste is to an educated taste as is the visual impression received by a purblind eye to that of a normal eye. Where a normal eye will see something clearly articulated, a weak eye will see a blurred patch of colour.

We live our lives based on the assumption that we directly perceive, and are accurately interpreting, objects with a fair amount of accuracy. Since we naturally assume that we are apprehending objects of cognition as best as possible, it does not occur to us that we are purposely twisting the object before our eyes to fit our own convenience.

Subjective truth is an oxymoron; objective truth is redundant. Subjective truth is feathers in a wind tunnel, blowing anywhere and everywhere. Objective truth is an anvil, bolted to the floor of the wind tunnel. Subjective truth is your truth and my truth; objective truth is Jesus Christ—immovable, immutable.

This assumption of the intrinsically repressive nature of collective experience and redemptive power of individuation is a staple of contemporary art theory and criticism. I would argue that a closer analysis of collaborative and collective art practices can reveal a more complex model of social change and identity, one in which the binary oppositions of divided vs. coherent subjectivity, desiring singularity vs. totalizing collective, liberating distanciation vs. stultifying interdependence, ar

There is no such thing as a non-subjective world to a subjective mind.