Quotes about surrealism

Surrealism is not a poetry but a poetics, and even more, and more decisively, a world vision.

Several people toss and turn in their sleep, startled by the lines of the newspapers in their dreams, knives out, lights out, lights out, knives out!

A constant human error: to believe in an end to one's fantasies. Our daydreams are the measure of our unreachable truth. The secret of all things lies in the emptiness of the formula that guard them.

Strictly speaking, it might not be a dream. It was reality, but a reality imbued with all the qualities of a dream. A different sphere of reality, where - at a special time and place - imagination had been set free.

Dreams are memories we’ve lost to sleep.

Dreams are memories. Memories are dreams. But my time with you hasn’t become a dream just yet. Because the sensation of your kisses keep me from sleep. I’m in love, God help me, I’m in love.

Every page should explode, either because of its staggering absurdity, the enthusiasm of its principles, or its typography.

The sultan had enormous eyebrows, fibrous like angora wool. In moments of strife, his eyebrows twitched violently. Like now!His Excellency’s royal blood boiled. Once again another mesmerized American news anchor gushed about Dubai’s vision, hailing the imagination of the al-Maktoum family.“Where is this vision coming from?” probed Katie Couric.“Ignorant Yankee!” Sultan Mo-Mo’s British twang bore traces of Basil Fawlty.The sultan wanted to retch. Dubai’s showboating gave him indigestion, but he c

They floated for a while, two flesher-shaped creatures and a giant worm in a cloud of spinning metal fragments, an absurd collection of imaginary debris, glinting by the light of the true stars.

There is another world, but, it is in this one.

Reality is changing Viena. You can not stop the cycle.

The lamentable expression: 'But it was only a dream", the increasing use of which - among others in the domain of the cinema - has contributed not a little to encourage such hypocrisy, has for a long while ceased to merit discussion.

In this stillness that is at the same time movement, in this darkness that is at the same time light, change is found not in the realm of ideas but in the energizing desire that is realized through precipitation. Desire tends towards its own realization and change takes place when the desire for it shatters the bounds of the possible, breaking the dialectical equilibrium holding together the framework of what is existent. It is at such moments that the imaginary flows into the real and overwhelm

Nothing that surrounds us is object, all is subject.

Surrealism also refuses the representation of reality: reality can only be; its existence proves its reality. Fiction thereby becomes impossible or is, by definition, false.

The imaginary is what tends to become real.

In childhood we inhabit a world of wonderful contrasts that later we often come to see as bizarre and do our best to rearrange, with everything in its 'proper' place. Unusual juxtapositions we label surrealistic. Yet what is surrealism but a second childhood with Freudian overtones which we have to be re-educated to enjoy? -- part of the tragedy of growing up

Oh,' said a very white body as it threw a wrist watch to the ground which broke without attracting anyone's attention, 'Oh, how can anyone not love poetry, natural machines, large white houses, the brilliance of steel, crimes and wild passions?

The real importance of automatism lay in the fact that it led to a different relation between the artist and the creative act. Where the artist had traditionally been seen as someone who invents a personal world, bringing into being something unique to his own 'genius', the surrealists conceived themselves as explorers and researchers rather than 'artist' in the traditional sense and it was discovery rather than invention that became crucial for them.

My wife with the hair of a wood fireWith the thoughts of heat lightningWith the waist of an hourglassWith the waist of an otter in the teeth of a tigerMy wife with the lips of a cockade and of a bunch of stars of the last magnitudeWith the teeth of tracks of white mice on the white earthWith the tongue of rubbed amber and glassMy wife with the tongue of a stabbed hostWith the tongue of a doll that opens and closes its eyesWith the tongue of an unbelievable stoneMy wife with the eyelashes of stro

Once she called to invite me to a concert of Liszt piano concertos. The soloist was a famous South American pianist. I cleared my schedule and went with her to the concert hall at Ueno Park. The performance was brilliant. The soloist's technique was outstanding, the music both delicate and deep, and the pianist's heated emotions were there for all to feel. Still, even with my eyes closed, the music didn't sweep me away. A thin curtain stood between myself and pianist, and no matter how much I mi

This place has only three exits, sir: Madness, and Death.

Il faut que l’homme s’évade de cette lice ridicule qu’on lui a faite: le prétendu réel actuel avec la perspective d’un réel futur qui ne vaille guère mieux. Chaque minute pleine porte en elle-même la négation de siècles d’histoire boitillante et cassée. Ceux à qui il appartient de faire virevolter ces huit flamboyants au-dessus de nous ne le pourront qu’avec de la sève pure._ Manifestes du surréalisme

Equally, the surrealists consider words as witnesses of life acting in a direct way in human affairs. To use words properly it was necessary to treat them with respect, for they were the intermediaries between oneself and the rest of creation. To abuse them was immediately to set oneself adrift from true being. Words need to be coaxed to reveal a little of their true nature, so as to close the breach that exists between the writer and the universe. The world is not something alien against which

Plût au ciel que le lecteur, enhardi et devenu momentanément féroce comme ce qu’il lit, trouve, sans se désorienter, son chemin abrupt et sauvage, à travers les marécages désolés de ces pages sombres et pleines de poison ; car, à moins qu'il n’apporte dans sa lecture une logique rigoureuse et une tension d’esprit égale au moins à sa défiance, les émanations mortelles de ce livre imbiberont son âme comme l’eau le sucre. Il n’est pas bon que tout le monde lise les pages qui vont suivre ; quelques-

By giving words the latitude she does, (Marianne) Van Hirtum emphasizes their contagious qualities: they become almost like viruses, with which it is necessary to put oneself in harmony by sympathetic magic if one is not to be overwhelmed. ... What is essential is to become one with the sickness, that is, in the context of language as a whole, to enter into contact with words.

Dive again and again into the river of uncertainty. Create in the dark, only then can you recognize the light.

In our modern world, this elemental quality of storytelling is denied. We live today in a world in which everything has its place and function and nothing is left out of place. Storytelling is thus at a discount and like everything else in a world ruled by the laws of exchange value, literature is required to submit itself to the requirements of the market and must learn, like any other commodity, to adapt and serve needs that lie outside of itself and its concrete value. It is forced to stand n

I spoke fire, laughed smoke, and madness spilled forth from my inspiration.

As humans, we have invented lots of useful kinds of lie. As well as lies-to-children ('as much as they can understand') there are lies-to-bosses ('as much as they need to know') lies-to-patients ('they won't worry about what they don't know') and, for all sorts of reasons, lies-to-ourselves. Lies-to-children is simply a prevalent and necessary kind of lie. Universities are very familiar with bright, qualified school-leavers who arrive and then go into shock on finding that biology or physics isn

We all love conflagrations. When the sky changes color, it is a dead man's passing.

Happiness is not found in serenity, tranquility or surrealism. It is found in harmony of thoughts, actions, and reality.

Cine n-ar dori să moară visând că moare?

Oh, sheep. I've lost all my sobbing colours.

I try to apply colors like words that shape poems, like notes that shape music.

Possible reality [is obtained] by slightly bending physical and chemical laws.

People love mystery, and that is why they love my paintings.

I have forced myself to contradict myself in order to avoid conforming to my own taste.

One can show one's contempt for the cruelty and stupidity of the world by making of one's life a poem of incoherence and absurdity.

There is no use being alive if one must work. The event from which each of us is entitled to expect the revelation of his own life’s meaning - that event which I may not yet have found, but on whose path I seek myself - is not earned by work.

I am the soul in limbo.

Everyday objects shriek aloud.

[David] Salle's earlier work had been marked by a kind of spaciousness, sometimes an emptiness, such as surrealist works are prone to. But here everything was condensed, impacted, mired. The paintings were like an ugly mood.

What bothers me most about my teeth is that they don’t travel loin south, don’t sprout from the Mother Mouth. Vagina dentata, come closah, say high.

Martial (the main character of LOCUS SOLUS) has a very interesting conception of literary beauty: the work must contain nothing real, no observations about the world or the mind, nothing but completely imaginary constructions. These are in themselves ideas from an extrahuman world.

He considered himself a sort of esoteric martyr, who'd sacrificed everything for principle. Apparently that little book had set him on a course towards political extremism, culminating in the loss of his job at the community college, as well as the breakup of his previously stable marriage. By the time he met Old Hoss, a few years later, Hiram Buckley was one of those unfortunates the normal and untroubled point at in scorn and laugh at derisively; a veritable dog that's kicked while it's down.

The shifting sands of the world... show how much the surrealists were drawn towards an interrogation of what reality actually is. Unlike fabulists of whatever hue, there is a materiality in surrealist writing that resolutely keeps it, one might say, 'down to earth'.

Refusing what Adorno called that 'comfort in the uncomfortable' taken by the fantastic, surrealism seeks to reintegrate man into the universe.

What is admirable about the fantastic is that there is no longer anything fantastic: there is only the real.

Surrealism, then, neither aims to subvert realism, as does the fantastic, nor does it try to transcend it. It looks for different means by which to explore reality itself.

What is infinity? I haven’t a clue.But maybe that’s the whole point I’ve been attempting to explain to you.The fact that it’s not knownOr seenOr heard.Infinity is every person, every being, every bird. Infinity is a simple mystery.It looks like a mystery.Tastes mysterious.Feels like something completely delirious. We cannot imagine what this sound could be.All we can imagine is infinity.

I moved in front of the medicine cabinet. If I looked in the mirror while I did it, it would be like watching somebody else, in a book or a play.

We can sum up the surrealist distinction between 'literature' and 'poetry' by saying where the former is artificial, fictive and elusive, the latter is natural, real, direct and spontaneous.

A stubborn refusal of the conditions of 20th Century 'reality', surrealism has denied intransigently and consistently that modern man can live without a sense of wonder at the world that was once embodied in myth. In approaching literature, it has aimed at restoring to the word its magical qualities. And at giving back to language the elemental power it once had within society. This determinism lies at the heart of the surrealist attitude and distinguishes it radically from the modernism which t

To his shock, as Saarang turned the first page, the words slowly transformed into small cylinders, except for one-letter words which preferred being spheres, and started rolling toward the vertical edges of the book.

Surrealism had a great effect on me because then I realised that the imagery in my mind wasn't insanity. Surrealism to me is reality.

As Peret asserts, the value of such stories resides in the fact that they respond to direct social necessity but in a way that is not obvious in a society dominated by what is utilitarian and functional. Rather they represent a natural surplus of imaginative abundance that may confound or reinforce the way we perceive the world, but which never does so in a simple way. Even though they may have no direct social use, they nonetheless embody the actual state of real relations between people.

But in those first hours after you take it, your brain is tuned in like nothing you can imagine. Eyes like the Hubble telescope, sensing light that's not even on the spectrum. You might be able to read minds, make time stop, cook pasta that's exactly right every time.

That's what dreams are really like, you know? They're not full of melting clocks or floating roses or people made out of rocks. Most of the time, dreams look just like the normal world. It's your feelings that tell you something's off. Not your mind, not your intellect, not something as obvious as that. The only part of you that really knows what's going on is the part of you that's most a mystery. If that's not Surrealism, I don't know what is.

I gazed upon the earth and saw that a body, in its tender faithlessness, had located it in the sky. A splendid scarf of blood, looming above the abyss.

Fighting for freedom” is a myth. There’s only freedom in uniting. You’re not really free with an, “Us vs Them” mentality; because you are constantly defending yourself. And in fighting, there’s no time for freedom.

You’re better looking than me. You’re more intelligent than me. Your personality is more likable than mine. You make more money than me. Your family is nicer than mine. Your religion is better than mine. You’ve seen more beaches than me. You’ve been to more cities than me. Your automobile is nicer than mine. Your significant other is better looking than mine. Your candidate won. Your home team won. You’re number one. But life is a tie. We all die.

...just because someone is a loner, it doesn't mean they’re alone. And just because someone is alone, it doesn't mean they’re lonely.

Sure, people can make you happy, but no one can stop you from being happy.

Now the night's breath responds to the sea, which I can scarcely hear from here, as it reminisces about its shipwrecks.

May night continue to fall upon the orchestra

... from the classically executed lifelike bouquets, tempting you to reach for the petals that fell on a three-dimensional tablecloth, to a new and disturbing style in which the colors seemed to blaze with such intensity they destroyed the old lines, the old solidity, to make a vision like those states which I'm nearest my delirium and flowers grow before my eyes and crackle like the flames of lamps.

All the wild beasts have been extinct for years, but it's perfectly possible to synthesize them autobiogenically. On the other hand, why be bound to what was once produced by natural evolution? The spokesman for surrealist zoology was most eloquent - we should populate our preserves with bold, original conceptions, not slavish imitations, we should forge the New, not plagiarize the Old.

Cubism is a Cathedral of shit.

The clouds were disappearing rapidly, leaving the stars to die. The night dried up.

Back in our apartment, lights out, The Professor emerged from beneath the bed." - from "The Professor Spends the Night," in issue 4 of Literary Orphans

I still love the sound of breaking,the tearing of the page

Iff replied that the Plentimaw Fishes were what he called 'hunger artists' — 'Because when they are hungry they swallow stories through every mouth, and in their innards miracles occur; a little bit of one story joins on to an idea from another, and hey presto, when they spew the stories out they are not the old tales but new ones. Nothing comes from nothing, Thieflet; no story comes from nowhere; new stories are born from old — it is the new combinations that make them new.

We have come from all the countries of the world and are going to Saintes-Maries de la Mer. Nomads of the enigma, we gather there each year after having carried our mystery through ordinary countryside and fluid towns. Since we become transformed by our wanderings we are despised by those who stand still and retain a memory of giant serpents and metallic green.

Jesus to Pilate:"The trouble is," the bound man went on, not stopping by anyone, "that you are too closed off and have definitely lost faith in people. You must agree, one can't place all one's affection in a dog. Your life is impoverished, Hegemon.

[David] Maraniss sees [Barack] Obama as a man with "a moviegoer's or writer's sensibility, where he is both participating and observing himself participating, and views much of the political process as ridiculous or surreal, even as he is deep into it.

We are in front of a fountain, whose jet she seems to be watching. 'Those are your thoughts and mine. Look where they all start from, how high they reach, and then how it's still prettier when they fall back. And then they dissolve immediately, driven back up with the same strength, then there's that broken spurt again, that fall ... and so on indefinitely.

His thoughts were hemmed in. One can only draw curved lines on the terrestrial sphere which, as they extend, forever meet with themselves. At such intersections we always encounter what we have already seen.

There are fairy stories to be written for adults. Stories that are still in a green state.

Half asleep, he wondered whether that might not have been his happiest day ever, the last, perfect day swelling with the immensity of his secret intent, secret creation—the day before everything changed—the day before he realized, for the first time, yet with absolute finality, just how small his private immensity really was when measured against that other vast, dark, impersonal immensity, call it God, or history, or simply life.

Wasn't much of a life anyway. Wasn't much of a brain.""But didn't you say you were satisfied with your life?""Word games," I dismissed. "Every army needs a flag.

Oh incomprehensible pederasts, I shall not heap insults upon your great degradation; I shall not be the one to pour scorn on your infundibuliform anus. It is enough that the shameful and almost incurable maladies which besiege you should bring with them their unfailing punishments.

I have come to the conclusion that there has never been an honest investigation by any authoritative body in the history of the world.

Subconsciously, we all want to be nebula... In the end, we’re all connected. We’re all going to become one cloud of light whether you like it or not. We’re all made of the same star dust.

Being alone in the dark - surrounded by silence, frightful. Thoughts breathe a life of their own; twisting and turning on each other as enemies unto themselves.

yes, i have dated Salvador Dali guy when i was a high school girl. he was a great lover. but i had to dump him because he stole my inspiration of bent clock*~* .... who cares...

I did exhibitions with the Surrealists (in Paris, in 1929) because their attitude revolted against 'art' and their attitude toward life itself was wise, as was Dada’s.’ Hans Arp

There are easier ways of making sense,the connoisseurship of gesture, for example.You hold a girl's face in your hands like a vase.You lift a gun from the glove compartmentand toss it out the window into the desert heat.